I've been dreading doing any more listening projects posts. My last post was pretty negative because I am becoming frustrated with trying to hear new things in a song that I've listened to 1000 times. So here goes 1001.
I can hear the urgency of this song through the dissonant chords, the rushed feeling of the chorus, and abruptness of the guitar. The bass drum has a driving beat throughout the song. As the song heads toward the chorus, layers of instruments are added to the bass drum and guitar. At the chorus, there is a tambourine, static, synthesizer, and background singers. She uses verse, chorus, verse, chorus, coda format.
I guess you can hear new things after 1001 listenings.
Music and Politics
Swandive by Ani Difranco
Swandive by Ani Difranco from Little Plastic Castles
Sunday, November 13, 2011
Wednesday, November 2, 2011
Week 7 listening project
I think at this point in the listening project, I am becoming resentful of trying to dissect the same song week after week. I still like the song, but there is only so much to hear.
I have trouble applying the lessons from class to a song because I don't agree with many of the writers' notions of music. The classroom challenge each week seems to be choosing a position on what music is or isn't. Each week, I think music is both.
Some songs are pretty. Some songs help me with my own internal stuggles. Some songs move me to learn more about the singer or songwriter. Some songs move me to dance, sing, or cry. So this week, my song is both.
I have trouble applying the lessons from class to a song because I don't agree with many of the writers' notions of music. The classroom challenge each week seems to be choosing a position on what music is or isn't. Each week, I think music is both.
Some songs are pretty. Some songs help me with my own internal stuggles. Some songs move me to learn more about the singer or songwriter. Some songs move me to dance, sing, or cry. So this week, my song is both.
Sunday, October 23, 2011
Week 6 listening project
I'm finding myself trying so hard to hear something new each week that I listen to the song a couple of times in a row. All that effort seems to be wasted today. I've had a rough few days this week. Just when I thought I finally had life planned, things have changed personally and professionally. I'm now feeling the words to the song again. When stuck at a crossroads, it's hard to know which way to go, especially when the original plan sounded so good.
Monday, October 17, 2011
Week 5 listening project
It seems that no matter how hard I listen to this song, I am still an emotional listener, especially today. I listen to the words and emotions she expresses and apply them to situations in my life. It works kindda like backward therapy. I get strength from her battle to make a difficult decision in her life. I can almost picture her making a pros and cons list and working through the consequences on each side.
The good news is that I still like the song! (So far)
She's worried about losing her lesbian fan base by marrying a man. I guess she thinks that her fan base buys her music for a reason other than her music. She perceives them as liking her for what she stands for, not necessarily because she makes great music. Hmm...commodification, fetishism?
The good news is that I still like the song! (So far)
She's worried about losing her lesbian fan base by marrying a man. I guess she thinks that her fan base buys her music for a reason other than her music. She perceives them as liking her for what she stands for, not necessarily because she makes great music. Hmm...commodification, fetishism?
Monday, October 10, 2011
Listening post week 4
I'm much more aware of the layering of voices and instruments this week. I can hear just three instruments in the beginning, slowly adding until the chorus has many instruments and added voices, then tapering back down to just the three instruments again. It kind of moves the song along a path.
Friday, September 30, 2011
Week 3 Listening Project
Another new observation about my song this week. I think she uses instrumentation well. The verses the when she is explaining her love. They are minimally accompanied, almost like a private conversation. The chorus is when she is talking about the possible consequences of announcing her love publicly. It uses lots of instruments as if many voices are talking from all angles, giving advice, causing tension.
This week the accompaniment spoke to me. Interesting because last week was more about the words.
This week the accompaniment spoke to me. Interesting because last week was more about the words.
Wednesday, September 21, 2011
Listening Project Week 2
Took notice of a phrase I never understood until today. When she’s describing her lover she talks about “cradling the softest, warmest part of you in my hands.” Later the phrase changes to “cradling the hardest, heaviest part of me in my hands.” I never got that she is holding her head in her hands. I can picture her really weighing this decision vividly.
The rhythm she plays with her guitar is pretty consistent throughout the piece. When she is talking about her lover, she and her guitar soften. When she is singing about making the decision to announce their marriage, she and her guitar become louder and more abrupt. I think she sings and plays louder to try to convince herself that she has made the right decision. As she softens again, I hear some static like sounds showing her fuzziness about her position.
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